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What Is Painting

SKU: 9780500239735
Regular price $55.00
Unit price
per
  • Author:
    BELL Julian
  • ISBN:
    9780500239735
  • Publication Date:
    01/11/2017
  • Edition:
    2
  • Pages:
    224
  • Binding:
    Hardback
  • Publisher:
    Thames and Hudson
  • Country of Publication:
What Is Painting
What Is Painting

What Is Painting

SKU: 9780500239735
Regular price $55.00
Unit price
per
  • Author:
    BELL Julian
  • ISBN:
    9780500239735
  • Publication Date:
    01/11/2017
  • Edition:
    2
  • Pages:
    224
  • Binding:
    Hardback
  • Publisher:
    Thames and Hudson
  • Country of Publication:

Description

At the turn of the twenty-first century, many felt sceptical or confused about painting's on-going cultural relevance. In this context, Julian Bell's What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalised any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual art's dominance and the proliferation of experiments with the physical limits of painting.

Featured in the October 2017 Creative Newsletter.
To receive this newsletter regularly please email us with your name and contact details.

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  • At the turn of the twenty-first century, many felt sceptical or confused about painting's on-going cultural relevance. In this context, Julian Bell's What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalised any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual art's dominance and the proliferation of experiments with the physical limits of painting.

    Featured in the October 2017 Creative Newsletter.
    To receive this newsletter regularly please email us with your name and contact details.

At the turn of the twenty-first century, many felt sceptical or confused about painting's on-going cultural relevance. In this context, Julian Bell's What is Painting? provided an accessible and inspired account of artistic thinking and practice, and of the complexities then facing artists and their audiences. Eighteen years on, the situation is partly reversed. Painting has proved too resilient a practice to be marginalised any longer. Yet is there any sense of forward momentum for the art? Interrogating the factors that have changed our ideas of painting over the past two centuries, Bell addresses relations between figuration and abstraction and between narrative and non-narrative painting, as well as the waning of conceptual art's dominance and the proliferation of experiments with the physical limits of painting.

Featured in the October 2017 Creative Newsletter.
To receive this newsletter regularly please email us with your name and contact details.