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The Selfie Temporality and Contemporary Photography

Regular price $318.00
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  • Author:
    RAYMOND Claire
  • ISBN:
    9780367332785
  • Publication Date:
    May 2021
  • Edition:
    1
  • Pages:
    188
  • Binding:
    Hardback
  • Publisher:
    Routledge
  • Country of Publication:
The Selfie Temporality and Contemporary Photography
The Selfie Temporality and Contemporary Photography

The Selfie Temporality and Contemporary Photography

Regular price $318.00
Unit price
per
  • Author:
    RAYMOND Claire
  • ISBN:
    9780367332785
  • Publication Date:
    May 2021
  • Edition:
    1
  • Pages:
    188
  • Binding:
    Hardback
  • Publisher:
    Routledge
  • Country of Publication:
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  • This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.

    Claire Raymond investigates how the selfie's involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rognvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier.

    The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.

This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.

Claire Raymond investigates how the selfie's involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rognvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier.

The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.