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Film and Video Editing Theory : How Editing Creates Meaning

Regular price $93.99
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per
  • Author:
    FRIERSON Michael
  • ISBN:
    9781138202078
  • Publication Date:
    04/04/2018
  • Edition:
    1
  • Pages:
    327
  • Binding:
    Paperback
  • Publisher:
    Routledge
  • Country of Publication:
Film and Video Editing Theory : How Editing Creates Meaning
Film and Video Editing Theory : How Editing Creates Meaning

Film and Video Editing Theory : How Editing Creates Meaning

Regular price $93.99
Unit price
per
  • Author:
    FRIERSON Michael
  • ISBN:
    9781138202078
  • Publication Date:
    04/04/2018
  • Edition:
    1
  • Pages:
    327
  • Binding:
    Paperback
  • Publisher:
    Routledge
  • Country of Publication:
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  • Product description

    Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Nol Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or dont work.

    Featured in the July 2018 Creative newsletter.
    To receive this newsletter regularly please email us with your name and contact details.

Product description

Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Nol Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or dont work.

Featured in the July 2018 Creative newsletter.
To receive this newsletter regularly please email us with your name and contact details.