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Antony Gormley on Sculpture

Regular price $39.99
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Antony Gormley on Sculpture
Antony Gormley on Sculpture

Antony Gormley on Sculpture

Regular price $39.99
Unit price
per

Description

Antony Gormley occupies an unusual position as a highly popular sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin.

This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters.

Featured in the June 2019 Art newsletter.
To receive this newsletter regularly please email us with your name and contact details.

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  • Antony Gormley occupies an unusual position as a highly popular sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin.

    This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters.

    Featured in the June 2019 Art newsletter.
    To receive this newsletter regularly please email us with your name and contact details.

Antony Gormley occupies an unusual position as a highly popular sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin.

This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters.

Featured in the June 2019 Art newsletter.
To receive this newsletter regularly please email us with your name and contact details.