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The Routledge Companion to Decolonizing Art Craft and Visual Culture Education

SKU: 9781032040158
Regular price $506.00
Unit price
per
  • Author:
    Manisha Sharma / Amanda Alexander
  • ISBN:
    9781032040158
  • Publication Date:
    July 2023
  • Edition:
    1
  • Pages:
    428
  • Binding:
    Paperback
  • Publisher:
    Routledge
  • Country of Publication:
The Routledge Companion to Decolonizing Art Craft and Visual Culture Education
The Routledge Companion to Decolonizing Art Craft and Visual Culture Education

The Routledge Companion to Decolonizing Art Craft and Visual Culture Education

SKU: 9781032040158
Regular price $506.00
Unit price
per
  • Author:
    Manisha Sharma / Amanda Alexander
  • ISBN:
    9781032040158
  • Publication Date:
    July 2023
  • Edition:
    1
  • Pages:
    428
  • Binding:
    Paperback
  • Publisher:
    Routledge
  • Country of Publication:

Description

Demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines.

Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategiesin research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand.

The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.

Includes a chapter Raranga and Tikanga Pa Harakeke - An Indigenous Model of Socially Engaged Art and Education by Leon Tan and Tanya White from Unitec Auckland
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  • Demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines.

    Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategiesin research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand.

    The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.

    Includes a chapter Raranga and Tikanga Pa Harakeke - An Indigenous Model of Socially Engaged Art and Education by Leon Tan and Tanya White from Unitec Auckland

Demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines.

Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategiesin research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand.

The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.

Includes a chapter Raranga and Tikanga Pa Harakeke - An Indigenous Model of Socially Engaged Art and Education by Leon Tan and Tanya White from Unitec Auckland