Yes No Maybe : Seductive Ambiguity in Dance
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Author:Emilyn Claid
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ISBN:9780415372473
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Publication Date:April 2006
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Edition:1
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Pages:245
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Binding:Paperback
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Publisher:Routledge
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Country of Publication:United Kingdom


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Yes No Maybe : Seductive Ambiguity in Dance
- Unit price
- / per
-
Author:Emilyn Claid
-
ISBN:9780415372473
-
Publication Date:April 2006
-
Edition:1
-
Pages:245
-
Binding:Paperback
-
Publisher:Routledge
-
Country of Publication:United Kingdom
Description
Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, "Yes! No! Maybe!" is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance's legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
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A Back Order button means that we don’t have the book in stock at our store. It may already be on order – or we can order it for you from a publisher or distributor at no additional cost.
As we source items from around the globe, a back-order can take anywhere from 5 days to several weeks to arrive, depending on the title.
To check how long this might take, you’re welcome to contact us and we can provide an ETA or any other information you need. We recommend checking the timeframe before committing to an online order.
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Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, "Yes! No! Maybe!" is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance's legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
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Author: Emilyn ClaidISBN: 9780415372473Publication Date: April 2006Edition: 1Pages: 245Binding: PaperbackPublisher: RoutledgeCountry of Publication: United Kingdom
Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, "Yes! No! Maybe!" is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance's legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
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Author: Emilyn ClaidISBN: 9780415372473Publication Date: April 2006Edition: 1Pages: 245Binding: PaperbackPublisher: RoutledgeCountry of Publication: United Kingdom
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