Te Motunui Epa

SKU: 9781990046582
Regular price $49.99
Unit price
per
  • Author:
    BUCHANAN Rachel
  • ISBN:
    9781990046582
  • Publication Date:
    November 2022
  • Edition:
    1
  • Pages:
    248
  • Binding:
    Paperback
  • Publisher:
    Bridget Williams Books
  • Country of Publication:
Te Motunui Epa
Te Motunui Epa

Te Motunui Epa

SKU: 9781990046582
Regular price $49.99
Unit price
per
  • Author:
    BUCHANAN Rachel
  • ISBN:
    9781990046582
  • Publication Date:
    November 2022
  • Edition:
    1
  • Pages:
    248
  • Binding:
    Paperback
  • Publisher:
    Bridget Williams Books
  • Country of Publication:

Description

'This is a story about the power of art to help us find a way through the darkness. It is about how art can bring out the best in us, and the worst. The artworks in question are five wooden panels carved in the late 1700s by relatives in Taranaki.'

This stunning book examines how Te Motunui Epa have journeyed across the world and changed international law, practices and understanding on the protection and repatriation of stolen cultural treasures. The story begins in the early 1800s in Peropero swamp, just north of Waitara. Taranaki was teetering on the edge of what would be almost a century of war and Te Atiawa hapu moved quickly to dismantle their most important public buildings and hide the choicest pieces in the swamps. The epa serpentine figures engraved in five totara panels went to sleep, only to awaken one hundred and fifty years later to hands that would take them to New York, Geneva, London and the Royal Courts of Justice.

By placing these taonga/tupuna at the centre of the story, Rachel Buchanan (Taranaki, Te Atiawa) presents a vivid narrative, richly illustrated, that draws on newly declassified government records to tell a story of art, ancestors and power.

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  • 'This is a story about the power of art to help us find a way through the darkness. It is about how art can bring out the best in us, and the worst. The artworks in question are five wooden panels carved in the late 1700s by relatives in Taranaki.'

    This stunning book examines how Te Motunui Epa have journeyed across the world and changed international law, practices and understanding on the protection and repatriation of stolen cultural treasures. The story begins in the early 1800s in Peropero swamp, just north of Waitara. Taranaki was teetering on the edge of what would be almost a century of war and Te Atiawa hapu moved quickly to dismantle their most important public buildings and hide the choicest pieces in the swamps. The epa serpentine figures engraved in five totara panels went to sleep, only to awaken one hundred and fifty years later to hands that would take them to New York, Geneva, London and the Royal Courts of Justice.

    By placing these taonga/tupuna at the centre of the story, Rachel Buchanan (Taranaki, Te Atiawa) presents a vivid narrative, richly illustrated, that draws on newly declassified government records to tell a story of art, ancestors and power.

'This is a story about the power of art to help us find a way through the darkness. It is about how art can bring out the best in us, and the worst. The artworks in question are five wooden panels carved in the late 1700s by relatives in Taranaki.'

This stunning book examines how Te Motunui Epa have journeyed across the world and changed international law, practices and understanding on the protection and repatriation of stolen cultural treasures. The story begins in the early 1800s in Peropero swamp, just north of Waitara. Taranaki was teetering on the edge of what would be almost a century of war and Te Atiawa hapu moved quickly to dismantle their most important public buildings and hide the choicest pieces in the swamps. The epa serpentine figures engraved in five totara panels went to sleep, only to awaken one hundred and fifty years later to hands that would take them to New York, Geneva, London and the Royal Courts of Justice.

By placing these taonga/tupuna at the centre of the story, Rachel Buchanan (Taranaki, Te Atiawa) presents a vivid narrative, richly illustrated, that draws on newly declassified government records to tell a story of art, ancestors and power.