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Platform Papers : 52 Putting Words in Their Mouths - the Playwright and Screenwriter at Work

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Platform Papers : 52 Putting Words in Their Mouths - the Playwright and Screenwriter at Work
Platform Papers : 52 Putting Words in Their Mouths - the Playwright and Screenwriter at Work

Platform Papers : 52 Putting Words in Their Mouths - the Playwright and Screenwriter at Work

Regular price $30.99
Unit price
per

Description

Andrew Bovell has worked as a playwright and screenwriter for more than thirty years. In Platform Paper 52 he draws on this broad experience to discuss the place and role of the writer in the Australian theatre, film, and television industries, and examines how that place may have changed in each.

He examines some of the philosophical, political, and practical ideas that inform his work, and makes a case for the centrality of the writer in the creative process, whilst discussing the crucial relationship he has with the other key creatives in the development of a new work.

Featured in the April 2019 Creative newsletter.
To receive this newsletter regularly please email us with your name and contact details.

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  • Andrew Bovell has worked as a playwright and screenwriter for more than thirty years. In Platform Paper 52 he draws on this broad experience to discuss the place and role of the writer in the Australian theatre, film, and television industries, and examines how that place may have changed in each.

    He examines some of the philosophical, political, and practical ideas that inform his work, and makes a case for the centrality of the writer in the creative process, whilst discussing the crucial relationship he has with the other key creatives in the development of a new work.

    Featured in the April 2019 Creative newsletter.
    To receive this newsletter regularly please email us with your name and contact details.

Andrew Bovell has worked as a playwright and screenwriter for more than thirty years. In Platform Paper 52 he draws on this broad experience to discuss the place and role of the writer in the Australian theatre, film, and television industries, and examines how that place may have changed in each.

He examines some of the philosophical, political, and practical ideas that inform his work, and makes a case for the centrality of the writer in the creative process, whilst discussing the crucial relationship he has with the other key creatives in the development of a new work.

Featured in the April 2019 Creative newsletter.
To receive this newsletter regularly please email us with your name and contact details.