The World Wide Web is the most well-known, celebrated, and promoted contemporary manifestation of 'cyberspace'. To date, however, most of the public discourse on the Web falls into the category of explanatory journalism - the Web has remained largely unmapped in terms of contemporary cultural research. This book, however, begins that mapping by bringing together more than a dozen well-known scholars across the humanities and social sciences to explore the Web as a cultural technology characterized by a nexus of economic, political, social, and aesthetic forces. Engaging the thematic issues of the Web as a space where magic, metaphor, and power converge, the chapters cover such subjects as: the Web and corporate media systems; conspiracy theories and the Web; the economy of cyberpromotion; the bias of the Web; and the Web and issues of gender.
