t's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why - and how and by whom - does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In this book, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.
