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An accessible account of film theory during a key period between the 1960s and the present day Covers the conceptual background of film theory, looking at historical materialism, semiotics and psychoanalysis Examines specific topics in film theory such as authorship, narrative, realism, the avant-garde and postmodernism.
The second edition features an extensive retrospective introduction.
Publication date: 2006-02-01
Number of pages: 317
Publisher: Manchester University Press
Subjects: Non-fiction, Art/design/film, Art & Artists, History Of Art / Art & Design Styles, Film, TV & Radio, Music